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The twentieth century was a period of rapid development of post-modern art, which had profound impact on postmodern art design in form, concept, aesthetics. Contemporary design have different levels of absorption and extension of the creative way modern art, ideas, techniques, forms. Under this background, the link between art and design becomes more compact. Installation art, as a new expression language, began to seep into the widely different levels of design. Its contemporary design practice present us with new landscape art and design which combined with each other. Overview of installation art Installation art birth Installation art originated in Europe in the early 20th century, and its essence is a non-shelf art, which is human use of state goods confession. It was derived from "ready-made art" word proposed by the famous French artist Marcel Duchamp, which is, people said later, "installation art." By its very nature is misplaced, vacant, segmentation, and a collection of ready-made superposition techniques to reconstruct, and give it new meaning point. The English expression is "the art of assemblage". Chinese translated as "assembly" or "set", can be seen from the time of the translation means in reality is the art of traditional tatami ism covert use, the value of its performance lies sensuous disturbs the existing properties and properties of the finished product itself will be different after the collision impact on the viewer. At the time, there will be all kinds of garbage, such as a direct move to Exhibition Hall, stacking or poured into a monument-type container, which make people aware of the fact that in today's era of waste such as mountains, pollute the environment artists, such as Oman, Bo Ruiz, Cesar, labor Shen Berg, who has had similar works, it should be said is the most classic, but also means the return of art works of art the most origin.

Research of the Application of the Installation Art in Contemporary Design