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Paper cutting is a unique traditional folk art form in China. Zhangpu paper cutting forms its own unique artistic charm because of its different cultural, geographical, social nature in many paper-cut arts. In this paper, the paper analyzes and compares the works of Chen Paolai, Gao Shaoping, Huangsu, etc. With the passage of time, the artistic feature of Zhangpu paper cutting changes obviously, such as transformation of the theme, the diversity of cutting, and the relations of prints and so on. Through the excavation of its deep level, the author find out the common features of its culture, region, variation, and hope that plays a important role on the protection and inheritance of the folk culture. About Zhangpu Paper-Cutting Paper-cutting is a unique and traditional folk art form in China.It is a combination of traditional agricultural society and countryside culture. Fujian province Zhangpu county is famous as “paper-cutting countryside” because of its unique art style and Minnan regional characteristics. Zhangpu paper-cutting was confirmed as intangible culture heritage of Fujian province in 2006 and the first intangible heritage of China in 2008.zhangpu paper-cutting as a special Chinese symbol, has frequently appeared on world stage with the development of tourism of zhangpu and the effort of new paper-cutting artist Gao shaoping, Zhang zhengrong, etc. A comparison of the Artistic Styles of the Former and Later Period of Zhangpu Paper-Cut Paper-cutting is called “reaming flower” by zhangpu people. Older generation women artists with a lofty virtue worthy of respect are called “huamu”, represented by Lin Tao, Chen Paolai, Huang Su etc. Their works style tends to tradition with strong local characteristics and local culture from the theme, composition, language and other aspects. Gao Shaoping, Chen Jin, Chen Qiuri as the representative of the new generation of paper-cut artists, use the modern art and language for reference and also absorb the traditional technique. Their works with the combination of modern technology and other means have a distinct sense of times. Then, the analysis of old and new generation paper-cut artists benefits our study. We can not only understand their work style and skills, but also excavate the cultural connotation behind the works and the culture historical background, cultural environment and many other elements contained in the process of development from tradition to modern. Unadorned and Childish Kirigami of Old Generation Lin Tao (1905-2010), Lin Tao was a representative of the old generation of Zhangpu paper-cut figures, with the Chinese folk Picasso title. Most of her works are based on folk customs, folk legends or fairy tales. Her style is just a few cut with random choice like nature itself. For example, her work for "shrimps " to marine life, the size of 17*17CM Doufang, is not big, but the 10 shrimps were full of wit and humor. 10 shrimps have different shapes, one swims with elongation of beard, one focuses on predation, one lies crooked in the side, and there are both fighting. Line thickness intersperses and the layout of primary and secondary distinct. Although the elderly did not learn the composition, design courses, the pattern arrangement is so clever and admirable. The most difficult part is that the shrimp is composed of circular curves, how to transform them in a square frame? 2nd Annual International Conference on Social Science and Contemporary Humanity Development (SSCHD 2016) © 2016. The authors Published by Atlantis Press 94 The problem is hardly handled properly even for people who learn composition and design, but the elderly cleverly arranges ten shrimps in a square, everything is so natural, like nature itself. She can correctly grasp the use of interspersed between the lines and understand a circle contains square and a square contains circle.

The evolution and development of Zhangpu paper cutting art in the modern aesthetic perspective