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“Hallucinogenic” is a sculpture created by Titarubi in 2014 and exhibited at the Salian Art Gallery, Bandung in 2015. “Hallucinogenic” is one of Titarubi's works in the latest period. Titarubi is one of the female artists who consistently works in the world of contemporary art in Indonesia. The problems to be solved in this research lead to Titarubi's journey as an artist and Titarubi's sculpture ideas. This study used qualitative method, using the Terry Barret art criticism approach. In addition, the concept of gender and the history of spices are included as additional concepts to sharpen the discussion. Titarubi's ideas were constructed from the family environment, the study environment and the social environment. Her works are done with very mature calculations and considerations. The artistic and monumental embodiment of works didn’t diminish the main meaning of her works. Titarubi was very keen to see any perspectives as a symbol. It incluedes form, time, material, media and history. As an appreciator, researcher was very interested in following Titarubi's works so far. Hallucinogenic is a work that can explain the characteristics of Titarubi's work in almost all ways. Keywords—Titarubi; sculpture; fine arts

Criticism of the Titarubi’s Sculpture Entitled “Hallucinogenic” in the Senyap Exhibition at the Salian Art Gallery in Bandung 2015