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Borobudur seat design was a study result as chair reconstruction from Karmawibhangga relief in Borobudur temple. The exploration has been done by the perspective of fine art and design with wangun (beautiful) and aeng (weird) as design creativity and arts. Regional of Surakarta and around it have a lot of industrial furniture, the problem is how can the Borobudur seat being explored by industrial furniture doer in Surakarta, the questions 1) What concept and how it applied? 2) How it can be seen? And 3) how is the perspective of industrial furniture doer to Borobudur seat as the result of design exploration? The using of method is read by processing of furniture design creation, and it is explained based on the fact of furniture design conceptual, and using perceptional theoretical. The interesting result and discussion from furniture industrial doer before applying the design exploration concepts are marketing survey, taste, and consumer culture that will be reached, climate (related to material selection), finishing, furniture delivering process, price, and quality. After that, the design concepts are applied like designer always do the redesign, because this is the most suitable concepts. The form of design as the result of exploration has a lot of variant depend on area, market segmentation, taste, and consumer culture which is aimed. Related to the perception of industrial doer that really optimist to the product of Borobudur seat based on exploration from industrial exploration which is really demanding by consumer. Keyword: exploration, Borobudur Chair, furniture industry INTRODUCTION Our research result of Borobudur Chair in 2015 which is in the form of the visual reconstruction chair of the Borobudur Temple relief (Widayat, Studyanto, and Sholahuddin, 2015) has inspired us to redesign the Borobudur Chair using the concept of wangun or beautiful (Widayat, Studyanto, and Sholahuddin, 2016). It was continued by redesigning the Borobudur Chair using the concept of aèng or strange ((Widayat, Studyanto, and Sholahuddin, 2017). In 2018, we explore the Borobudur Chair using the perspective of business actors in furniture industry in Surakarta as well as its marketing possibility ((Widayat, Studyanto, and Sholahuddin, 2018). This study is important due to the history of furniture in Java which was stopped and the assumption that Javanese people do not have the culture of sitting on the chair. Based on our research, the culture of sitting on the chair has existed since a thousand year ago. It is viewed from the chair of Borobudur Temple relief built in the 9 century (Borobudur Chair). This phenomenon does not receive much attention from either the academicians or the practitioners. It indicates that there was a gap of the study related to Borobudur Chair. Therefore, we conduct the research and redesign of the Borobudur Chair from the practitioner’s perspective to make it well-known and beneficial for the society. The reconstruction of the Borobudur Chair has been conducted, while the exploration has been and was being done using various concepts and approaches. However, there is the interesting finding which states that the customer’s desire, location, climate, and culture determine whether or not the exploration development of Borobudur Chair design is accepted. LITERATURE AND THEORY The concept used in exploring the Borobudur Chair was redesign concept which is the design that has been formed into the product. The product is reanalyzed and redesigned from the beginning as a whole or a part (Widayat, 2010: 124). There are several concepts that can assist the redesign which are done by changing the form: simplification, distortion, destruction, stylization, or combination among the entire structure of the form (mix) (Susanto, 2012:105). The option of redesign concept depends on the market survey and the designer’s background to generate the appropriate concept. The perspective of business actors in furniture industry in the form of perception or interpretation is strengthened by the interpretation theory. It is stated that interpreting should understand the demanded context (Sudjiman and Zoest, 1992: 103), which is the environment of furniture industry in Surakarta.

Exploration Design Development Borobudur Chair Based on Perspectional of Industrial Furniture in Surakarta