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Within the late of 1980s to the early 1990s, a myriad of films containing Holocaust were produced. One of which was Schindlers‟ List. The depiction of eeriness of holocaust was wrapped in a scantily flawed film, subtly permeated into people‟s minds. The filmmaker spreads their power, asking for people‟s consent, not through coercion but through cognition. This is so-called hegemony. Holocaust left us a memory that during those years, Jews suffered severely, not only were expelled from their homey homes, they were also killed in such inhumanely way. Some selected shots with inter title in them were selected as the data. Both the linguistic in the inter title as well as the visual semiotic resources were juxtaposed to uncover the relation, leading to a meaning conceived.

Hegemony in Film: How Holocaust is Legitimized through Visual and Linguistic Texts?