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Distinguished from the traditional film aesthetic representation, the microfilm corresponds to the consumption of audiences instantly and the appeal of the fragmented experience. In this paper, the author analyzes the immersion concept of micro film, whose audio-visual elements can cause spatiotemporal chaos for making audience experience beyond the state of the text. The author takes Tuner as an example, makes aesthetic deconstruction of this microfilm’s elements, and then analyzes the visual art performance and the sense of immersion in scientific cognition. At last, the true road that microfilm will turn to is the aesthetic immersion in the technical elements.

A Case Study of Narrative Microfilm qTunerq:Analysis of the Audio-Visual Technology of Immersion in Microfilm