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Like other countries around the world, remake TV series also occupy an important share in Chinese TV series industry market. Among them, whether the remake requires cultural reconstruction has always been the focus of attention. So far, Colombia’s “Ugly Betty” has the most remakes in the world, this paper compares Chinese version, US version with master version of “Ugly Betty”, queries some previous conclusions of academic circles from the “Reconsideration of the Cultural Reconstruction of Chinese remakes”, searches the drawbacks of Chinese remakes, discusses the “rationality of cultural inheritance” and the thoughts about “cultural reconstruction in remakes”. Keywords—Chinese TV series; cultural remake; reconstruction; “Ugly Betty”

Analysis of the Cultural Reconstruction of Chinese Remake TV Series Taking the Remake of “Ugly Betty” as an Example