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The following article is devoted to the screen images of violence in the silent cinema of 1900-1920. The author compares the aesthetics of early costume dramas, screen biographies of Jesus Christ and films about the First World war – and detects shared visual motifs and methods of narration. The reflection on violence turns out to be an important component of the cinema language formation. Keywords—silent cinema; visual image; Bible story; costume drama; military theme

The Reflection on the War and Violence as the Impulsion of the Development of the Western Cinema Aesthetics in 1900-1920