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The revival of the notion of the “fine" has become a new task in the framework of matching historical and theoretical issues related to architectural criticism at the present stage of architectonic thinking and its integration into the framework of a non-linear world perception. The return to one of the original interpretations of the “fine” (based on the “formula” by H. Poincaré) as the result of harmoniously wholesome internal structure of any integrity provides for filling visual perception of architectural form with intellectual contents. The application of this notion may become a methodical basis for the establishment of the essentially "fine" dialogue between the two notions that have drifted apart relatively long ago “history” and “evolution” within the logics of the “Grand-Time Architectonics” (M.M. Bakhtin). Keywords—fine art triad architecture sculpture painting; internal structure; perception of the exterior; architectural form; integrity; Grand-Time Architectonics

Arche. Revival of the Notion of qthe Fineq for Comprehension of the Dialogue between Artistic Image and Intellectual Idea in a Modern Architectural Form