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In the 1940s, Jiuye poets changed the landscape of the poetry at that time with brand new poetic practice. Under the circumstances of internal and external oppression, they opened up new space and persisted in creation, and they still achieved short-term glory. This article combines history and theory, with "Poetry Collection: 1942 1947" as the text carrier, combs the historical details of Zheng Min's controversial appearance and her position among the Jiuye poets, and analyzes how to persist and be loyal to the personal experience under special circumstances, from the individual to feel the times, feel the history, feel the life, thus forming her own way of expression from philosophy to poetry. Keywords—Jiuye poets; Zheng Min; "Poetry Collection:

Study on Zheng Min's Controversial Appearance in Poetry and Her Position in Poetry School