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Chinese painting is a traditional one with a long history and fine tradition. It embodies the wisdom, character, psychology and temperament of the Chinese nation, and has a unique system in the world painting garden with its distinctive features and style. The Chinese painting has different genres, characters, theories and works in thousands of years development, but in general, Chinese painting is divided into two important directions: realistic writing and freehand writing. From the perspective of history, the early Chinese painting was dominated by realistic writing, and flourished in the Sui, Tang and early northern Song dynasties. From the later period of the northern song dynasty to the end of the southern song dynasty, Chinese paintings began to appear in the first place, mainly in the form of freehand brushwork. The Chinese paintings in the Yuan dynasty were mainly composed of freehand brushwork, and so do as the Ming and Qing dynasties. Thus the Chinese paintings are now also called "freehand paintings". Therefore, it is of great practical significance to study Chinese painting art from realistic writing to freehand writing. It can further clarify the general direction of the development of Chinese painting, enrich and supply the theoretical connotation of the specific reason of Chinese painting art from the realistic writing to writing, thus providing further, multi-angle theoretical support and supplement for carrying forward the traditional culture and

Study on the Reasons of Chinese Painting Art from Realistic Writing to Freehand Brushwork