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This article justifies the methodological principles which consider the elements of festive communication and ritual action as the necessary conditions for the interpretation of religious architecture symbols. As an example there are represented methods of interpretation of religious architecture symbols of the Ancient Acropolis and Sophia of Constantinople (Hagia Sophia). The article discusses the specifics of the artistic image designing as virtual reality, directly focused on the process of transcendence as a way of a human's harmonizing with the universe, society and own individuality.

Interpretation of Religious Architecture Symbols in a Communicative Space of Religious Feasts