English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Tools annual

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools monthly

Global: Zendy Plus monthly

Presents the access of premium content as premium feature

Premium Content

Global: Zendy Plus annual

Global: Zendy Free Plan

Art has become a medium of communication since the paleolithic era, but the obsession in recording information in scientific form began in the 17 century, where the elites paid the intellectuals and artists to produce records in the texts and visuals to be printed. In the 19 century when printing technology began to expand, the west introduced visual printing activities in the newspapers as democratic communication medium. Newspapers such as The Illustrated London News (ILN) and The Graphic contributed the most news with visuals at that time, including news regarding Malaya. This article aims to identify the role of print media and artists in recording visuals during the British colonial rule. Historical method is used in this discussion through documentation from archive’s records, books, journals, and electronic data. Indirectly, printed visual became part of historical documents which recorded local visuals while the professional artists or amateurs had delivered their tasks.

Contribution of Artists Through Printing as Visual Communication Medium Among Colonies During the British Era in Malaya