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This article reviews the approaches to work with sound in contemporary art music. These approaches are studied from the point of view of the most widespread conceptions of sound treatment. From many existing ones at our time the attention in the article is paid to two. The first conception is defined as sound creation and includes all methods of composer’s work with new (non-musical) sound. The second conception is defined as sound studying and connected with electro-acoustical experiments and spectral compositional technique. The concrete variants of these conceptions realization are demonstrated on the works by Ukrainian composers of the middle generation: "Vocerumori" (2012) by Anna Korsun and "Ars naturalis" (2008) by Oleg Bezborodko.

Treatment of Sound in Contemporary Art Music: At the Examples of Works by Ukrainian Composers