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Before the 1980s, the Chinese film industry had released many excellent animations with distinctive Chinese characteristics, such as The Monkey King and Prince Nezha’s Triumph Against Dragon King, which were deeply loved by Chinese domestic and foreign audiences and created brilliant achievements in the artistic creation of domestic animations. However, since the middle and late 1980s, faced with the fault of domestic animation talents and the impact of the rapid development of Japanese and American animation, the Chinese animation industry has presented a situation of “continuous decline” and “being over the hill”. In the era of globalization and digitalization, the development of Chinese animation shows the profound cultural anxiety, with technology covering up the story and other pressures and difficulties. At present, Chinese animation is in a critical period of national cultural reconstruction and high-tech integration. It is necessary to take history as a mirror, study and organize the animation elements in traditional national culture, create original animations in line with contemporary aesthetics, and build animation art and culture with Chinese new era characteristics. This has become an important task for Chinese animation workers.

A Study on the Reconstruction of Cultural Confidence in Chinese Animation