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The term "now" in this paper refers to the era of digital images in which the main tools and ways to create, display and consume images have been digitalized after the marginalization of traditional painting and photography. The carrier of image display changed from canvas and film to electronic screen. The speed, quantity, and circulation of digital images overshadow traditional painting and photography. Even traditional photography, the use of film for serious artistic creation and recording, is declining, and has become the creative method insisted on by a few photographic artists. Nowadays, painting has become a niche. Most visitors to art galleries are interested in fine arts, and they are also fascinated by the handwork shown in the pictures. But they make up a smaller percentage of the population. There is no doubt that the advent of the digital age has caused people to stop paying attention to a painting for a long time. At the same time, painting artists absorb digital images, photography, computer images and other elements in their creation, which constitute a new painting language and possibilities. The purpose of this paper is to analyze the changing relationship between painting and photography in the digital image era, and the possibility and unique charm of painting itself.

Study on Photography, Images and Paintings of the Moment