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Abstrak Makalah berjudul “PSK dalam Framing Tiga Monolog” ditulis untuk membahas tokoh PSK dalam ketiga monolog yang bertemakan kehidupan PSK, yaitu Monolog Tanda Tanya (Anggi Eka Putri), Monolog Pelacur (Putu Wijaya), danMonolog Cahaya (Lenny Koroh dan Silvester Hurit). Penelitian dalam makalah tersebut dibatasi pada penampilan tokoh PSK dalam ketiga monolog, pembahasan PSK berdasarkan konsep framingdan representasi, serta sikap lingkungan terhadap tokoh PSK. Penelitian ini merupakan kualitatif dengan metode analisis deskriptif komparatif pada ketiga monolog. Konsep teoretis yang digunakan dalam penelitian ini adalah framing Pan  Konscki, serta representasi Hall. Berdasarkan penelitian diperoleh hasil berikut: (1) PSK yang ditampilkan dalam ketiga monolog ditunjukkan sebagai perempuan yang terjerumus. Tokoh PSK mudah terjerumus ke dalam dunia hitam, tetapi sulit keluar dari dunia tersebut; (2) Berdasarkan hasil framing dan representasi, tokoh PSK merupakan korban yang tidak mampu mengatasi dampak pelecehan seksual atau pemerkosaan. Kekecewaan berkepanjangan tidak pernah teratasi karena tokoh PSK dipertemukan dengan lingkungan atau pihak yang berkompeten menjerumuskan perempuan itu di dunia hitam, misalnya teman atau kekasih. Konflik dengan sosok ayah juga dianggap sebagai pencetus utama tercetusnya seorang perempuan ke dunia hitam; serta (3) sikap lingkungan terhadap tokoh PSK menunjukkan bahwa dunia hitam para PSK bukan dunia yang ramah. PSK tidak dapat ke luar dari dunia tersebut dengan mudah sementara ia harus bertanggung jawab untuk kehidupan anggota keluarganya.  Selain itu, ia harus menanggung risiko besar selama menjalani profesinya, tanpa perlindungan apa pun. PSK bukan saja mengalami kesulitan di dunianya sendiri, melainkan pula di dunia luar. Lingkungan sosial sulit menerima eksistensi mereka, bahkan cenderung merendahkan. Tidak jarang lingkungan sosial dapat menjadi pencetus atau pendukung terjerumusnya seorang perempuan menjadi PSK. Kata kunci: PSK, framing, pelecehan, korban Abstract"PSK in Framing of Three Monologues" discussed prostitute figures on the three prostitute themed monologues:  Monolog Tanda Tanya (Anggi Eka Putri), Monolog Pelacur (Putu Wijaya), dan Monolog Cahaya (Lenny Koroh dan Silvester Hurit). The research was limited to (1) the appearance of prostitute figures in all three monologues, (2) prostitute discussions based on the result of framing and representation, also (3) environmental reactions towards prostitutes. This research is qualitative with a comparative descriptive analysis method on all three monologues. The theoretical concept used in this research was Pan  Konscki’s framing, as well as Hall representation of the. The result was below. First, PSK displayed in all three monologues was shown as women who were extremely trapped. PSK figures easily fell into the site, but were difficult to get out from. Second, based on the framing and representation, prostitute figures were victims who were unable to cope with the effects of sexual harassment or rape. Prolonged disappointment had never been resolved because they met with the environment or the competent party plunged them into such world, such as friends or lovers. Conflict with a father figure was also considered as the main originator of the emergence of a woman into the sit. Three, the environmental attitude towards the prostitute shew that the surroundings of prostitutes were not a friendly world. They won’t let to be out of it easily while, on the other hand, they had to be responsible for the lives of their family members. In addition, they were close to high-risks of their profession, without any protection. Prostitutes were not only experience difficulties in their own world, but also in the outside world. The social environment also hardly accepted their existence, even tends to be condescending. Sometimes, it could be the originator or supporter of a woman becoming a prostitute. Keywords: prostitute, framing, harrashment, victims

PSK DALAM FRAMING TIGA MONOLOG/PROSTITUTE ON THREE MONOLOGUES FRAMING