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Th is article aims to analyze and think about the recurrence of war genre on the representation of Malvinas/ Falklands war in the contemporary Argentinean cinema. Th e feature fi lms Soldado argentino solo conocido por Dios, Malvineitor and Teatro de guerra are proposed as objects of study, both in a cinematographic and literary way, based on the theoretical basis and

Filmar Malvinas: Apuntes sobre la guerra de Malvinas en el cine argentino contemporáneo