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This article reveals the suburbs as a place of residence and the&amp;nbsp; construction of the identity of the main character in the film Divines&amp;nbsp;  (2016) by Houda Benyamina. This film tells of a life of teenagers in&amp;nbsp;  France of African immigrants in a suburb. Dounia who is a teenager&amp;nbsp;  has the ambition to leave the suburbs and have the life out of the&amp;nbsp;  suburbs. The suburb is the setting of the film representing a residence&amp;nbsp;  far from downtown whose living conditions are less appropriate. It is&amp;nbsp;  a form of social segregation created by the French government which&amp;nbsp;  has multiple social problems to its inhabitants. The methodology used&amp;nbsp;  is the qualitative research methods. To analyze the narratives and&amp;nbsp;  cinematographic aspects, the theory of film studies of Boggs &amp;amp;amp; Petrie&amp;nbsp;  has been used, while the concept of identity of Stuart Hall has been&amp;nbsp;  used to reveal the social problems of these young people about their&amp;nbsp;  identity. The result of the analysis shows that the suburbs appears like&amp;nbsp;  a hard and violent space for its inhabitants, and the characters are&amp;nbsp; haunted by dreams of escape. Dounia has fantasies of freedom and luxury which she could find them&amp;nbsp; outside the suburb. As the suburb is a living space, the ambition is simply to leave the suburbs. The&amp;nbsp;  identity of Dounia is built from her efforts to achieve her ultimate dream: a new life out of the suburbs.

Banlieue et la construction d’identité du personnage principal dans le film Divines