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Aquest article estudia l’estreta relacio dels testimonis barcelonins AILM de la po- esia de March des d’una perspectiva codicologica i ecdotica. Una analisi d’aquesta mena fa pensar que la majoria dels poemes compartits pels testimonis AL davallen d’un antecedent comu, consistent en una antologia conforme a l’ordre establert per Pages a partir dels testi- monis monografics de l’obra de March. Aquesta antologia, emparentada amb el canconer de Nova York (N), no fou l’unica font dels testimonis ALM, que presenten altres indicis de relacio amb el canconer de Saragossa (H). Paraules clau: Ausias March, critica textual, canconer d’obres enamorades, canconer de l’Ateneu, canconer L Abstract: This essay examines the close relation between the Barcelona witnesses AILM of March’s poetry from both a codicological and ecdotic perspective. Such an analysis leads to suggest that most of the poems present in both manuscripts AL go back to a common arc- hetype, consisting in an anthology in the order established by Pages according to the mono- graphic manuscripts of March’s works. This anthology, related to the New York manuscript N, was not the only source of ALM, in which other particular relations with the Zaragoza manuscript H can also be detected. Keywords: Ausias March, ecdotic, canconer d’obres enamorades, canconer de l’Ateneu, canconer L

Una antologia marquiana a la Barcelona del tercer quart del segle xv