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The emancipation of Polish women in socialism was one of the leading propaganda postulates, the subject of social and cultural policy. This emancipatory tradition of a bygone era makes one wonder what production culture patterns determined the place of women in the state film industry and what the contribution of women in terms of their numbers and character of their work was. It is impossible to make a diagnosis of their current condition in the film industry without a reference point, i.e. the film industry of People’s Poland. The need to determine such a reference point results, for example, from the fact that women filmmakers now occupy a leading position in film art and among filmmakers. Associated in the social movement the Film Women, they are trying to carry out actions to modernize film culture for the benefit of gender balance but they are hardly able to determine what tradition in the history of the Polish film industry is behind these activities. In other words, is the cinema of the Polish People’s Republic a negative or positive point of reference. Especially that nowadays, they are accused of returning to a bygone era, in which the chances of underrepresented social groups such as workers or peasants were equalized and the professional advancement of women was encouraged. Monika Talarczyk

The Other Sex of Polish Cinema. The Contribution of Female Filmmakers to Feature Film Production in the People’s Republic of Poland