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espanolEl articulo describe y analiza la contribucion de los arquitectos Lorenzo Durini Vasalli y Francisco Durini Caceres en la construccion de la imagen republicana del espacio publico y en la gestion de los monumentos; en este proceso se intercala el conocimiento academico y la experiencia. La descripcion de los monumentos devela un mensaje universal: la libertad, la victoria y el progreso, a traves de la representacion de proceres de la independencia latinoamericana e intelectuales, en un momento de coyuntura historica en el que se crearon los simbolos de las republicas al iniciar el siglo XX. Las citas y algunas fotografias provienen del Fondo documental del Museo de la Ciudad de Quito, en donde se encuentra la “Coleccion Durini”, esta consta de 1.632 fichas. Incluye documentos personales, cartas, telegramas, fotografias, planos, catalogos de arquitectura y construccion, dibujos, acuarelas y planos realizados con diferentes tecnicas, que pertenecieron a Lorenzo y Francisco Durini. EnglishThe article describes and analyzes the contribution of architects Lorenzo Durini Vasalli and Francisco Durini Caceres in the construction of a new image for urban public space and the management of monuments in Ecuador, combining their academic knowledge and vast experience. The descriptions of their commemorative monuments reveal a universal message: freedom, victory and progress. This is represented by intellectuals and heroes of Latin American independence in a historic moment at the beginning of the 20th century when symbols of the newly established republics were being created. The quotes and some photographs come from the “Museo de la Ciudad” of Quito, where the Durini Collection is located. It consists of 1.632 registers that include personal documents, letters, telegrams, photographs, plans, architectural and construction catalogs, drawings, watercolors and drawings made with different techniques, which belonged to Lorenzo and Francisco Durini.

Gestión y arte en el espacio público: la contribución de los “Durini” en América (1880-1930)