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espanolNuestros clasicos grecorromanos entendian la amistad como el culmen de toda relacion humana y, por ende, como fuente imprescindible de felicidad. Partiendo de ellos, la tradicion literaria fue fijando unos topicos como reflejo de este sagrado vinculo, cuyos hitos principales seran estudiados en este articulo. Destacamos, en este sentido, el papel que representa el teatro barroco, realidad artistica que situa la amistad como uno de sus motivos principales de conflicto dramatico. A modo de ejemplo, analizaremos algunas comedias del dramaturgo barroco Felipe Godinez, quien privilegia este tema dentro de su produccion teatral mediante la construccion de estructuras dramaticas que se fundamentan en la tradicion y a traves de una serie de recursos que seran recurrentes en toda la historia de la literatura. EnglishGreek and Roman Classics understood friendship as the culmination of all human relationships and, therefore, as an essential source of happiness. This article will study the main topoi related to this sacred bond coming from the Classics. In this sense, we highlight the role played by baroque theater, an artistic reality that places friendship as one of its main reasons for dramatic conflict. As an example, we will examine some plays by the baroque playwright Felipe Godinez. Within its theater production, this author focuses on this specific topic by forming dramatic structures based on the tradition. He also employs a series of resources that will be recurrent throughout the history of the literature.

«Que los dos somos un alma / que se partió en dos mitades»: en torno a la amistad en la comedia española del Siglo de Oro