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La combinacion de texto e imagen, ya en formatos clasicos como la poesia visual o el comic, se ha abordado desde la perspectiva de lo literario a tenor tanto de la disposicion textual como de la comunion de lo textual con el aparato grafico, lo que puede implicar la intervencion logofagica. Los estudios sobre literatura electronica han afrontado ya problemas de la textovisualidad como los cotos impuestos en la digitalizacion o adaptacion de esas formas artisticas por la rigidez formal del libro electronico. Esto nos ha permitido divisar los limites y complejidades de algunos formatos digitales, pero tambien otear una fenomenologia inversa a la tachadura e invisibilidad textual. En este articulo analizamos la relacion intermedial y transmedial de texto e imagen desde en la literatura electronica desde el punto de vista de la tecnica narrativa logofagica para establecer como es el camino inverso, el de la emesis textual. Para ello, estudiamos la fenomenologia de las figuras literarias textovisuales en las pantallas. The combination of text and image, already in classic formats such as visual poetry or comics, has been approached from a literary perspective according to both the textual layout and the text communion with the graphic apparatus, which may involve logophagic interventions. Previous studies on e-literature have faced text-visual problems such as the boundaries imposed on the digitization or adaptation of these forms of art due to the formal rigidity of electronic books. This has enabled us to glimpse at the limits and complexities of some digital formats, but also to perceive a reverse phenomenology to textual erasure and invisibility. In this article we analyse the intermedial and transmedial relationship between text and image in electronic literature from the point of view of logophagic rhetorical techniques in order to establish what the reverse path, the textual emesis, is. To do so, we study the phenomenology of literary text-visual rhetorical devices on screens.

Logoemesis y cultura textovisual: figuras de la generación y visibilización del texto en el arte escrito mediado por las pantallas