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The study of Prehistoric art has been conditioned by the theories of primitive mind, prelogical thought or psychoanalytical unconscious. In this paper, the authors develop a new analytical method, starting from the concept of simple forms. The artistic behavior begins with the playful instinct, the search of rhythm and symmetry and the necessity of “mimesis” or imitation. The expression of emotions, feelings, or ideas can be added or not to these primary necessities. This method is applied to four examples: the march of soldiers, the war chariot, Cnossos decorated pottery and the drawings and petroglyphs of an Amazon forest people.

Simple Forms of Image in Art History / Las formas simples de la imagen en la Historia del Arte