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In Homer’s Odyssey, whilst Ulysses is staying at the court of the Pheacians, he narrates his past adventures, in particular his encounter with the Cyclops, Polyphemus. The obvious physical imbalance between the two protagonists provides moral justification for recourse to guile, to metis, rather than engaging in a regular combat. In this paper, we have chosen to further exploit mosaics representing Ulysses inebriating Polyphemus for the sole purpose of revisiting the documentation by focusing on comparable works - sculptures, paintings and minor arts - in order to put forward a few hypotheses. We will take a look in turn at the role played by the sculptures of the Hellenistic period, the influence of Aristotle’s unity of action and unity of time, ending with the different depictions of Polyphemus’ organs of sight – at times « monocular » or « triocular » – in attempt to elicit their iconographical meaning.

La représentation d’Ulysse et de Polyphème dans la mosaïque romaine. Analyses et comparaisons