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This article explores the archive of the Pasolini Collective in Medellín, Pem ―organisation of collaborative research and creation processes with marginal communities―, on the black diaspora and exposes how the violence reconstructed in these ethnographic fictions can be made visible and analyzed in an intersectional way to see inseparable condition of different forms of oppression. Although these films operate as devices of empowerment and emancipation through which the participants can to objectify the violence they resist, this quality is enhanced in exhibition settings where discursive analyzes allow recipients to continue the task of decolonizing life. daily and thought.

Reflexividad, interseccionalidad y decolonialidad en las películas etnográficas del colectivo Pasolini en Medellín sobre la diáspora negra