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After more than a decade of summoning indigenous audiovisual filmmakers every year to exhibit their works and promote their identity from their own gaze, the most eloquent balance of Daupará is not counted in the number of participants or in the number of films exhibited nor in the box office indicators, but in the important debates that today continue to fan both on the shores of ancestral peoples and on that of Western society. Here’s a review.

Muestra de Cine y Video Indígena en Colombia, Daupará: una lectura a once años de su creación