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Resumen Este trabajo se interesa en abordar la representacion del itinerario de regreso a la tierra de origen del exiliado politico a partir del film Cuarentena (Carlos Echeverria, 1984). A traves del analisis de los procedimientos formales, narrativos y estilisticos, nos proponemos observar la problematizacion del sujeto protagonico, el diseno de su viaje de retorno y su memoria no unitaria, como parte de complejo del “regreso”, tanto en su dimension individual encarnada en la figura del exiliado —en este caso Osvaldo Bayer–, como en su dimension colectiva a partir de reinstauracion del orden democratico. Palabras clave : Memoria, cine documental, viaje, exilio, transicion democratica, recorridos delincuentes  Quarantine, exile and return: travel, memory and democratic transition in the Argentinian documentary film Abstract This work is interested in tackling the representation of the itinerary of the return to the origin’s land of the political exiled people taking into account the movie Quarantine (Carlos Echeverria, 1984). Through the analysis of the formal, narrative and stylistics procedures, we decide to observe the problem of the protagonist subject, the design of his return travel and his non-unitary memory, as a part of the symbolic process of the “homecoming”, as much in his individual dimension incarnated in the figure of the exiled person –in this case Osvaldo Bayer-, as long as in his collective dimension since the reinstallation of democratic order. Key words: Memory, documentary film, travel, exile, democratic transition, criminal rounds.  Quarentena, exilio e retorno: viagem, memoria e transicao democratica no cinema documental argentino Resumo Este trabalho aborda a representacao do itinerario de regresso do exilado politico a terra natal a partir do filme Cuarentena (Carlos Echeverria, 1984). Analisando os procedimentos formais, narrativos e estilisticos, propomos observar a problematizacao do sujeito protagonico, o planejamento de sua viagem de retorno e sua memoria fragmentada, como parte do complexo simbolico do “retorno”, tanto em sua dimensao individual encarnada na figura do exilado — neste caso, Osvaldo Bayer –, como em sua dimensao coletiva a partir do restabelecimento da ordem democratica. Palavras-chave: Memoria, cinema documental, viagem, exilio, transicao democratica, percursos delinquentes

Cuarentena, exilio y regreso: viaje, memoria y transición democrática en el cine documental argentino