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The relationship between theater and cinema is permeated with dialogues. In this paper, we will realize how the arts often need justify their relevance, their social value. This need raises the discussion about the importance of preserving the artistic heritage. We will question, however, the criteria under which some artists are considered “priority”, and why certain works are considered “great”. Located in Brazil, this research also raises some discussion about the film academic thinking and how these reflections are processed in the country. We will focus our attention on the film Boca de Ouro (1963), by Nelson Pereira dos Santos, based on the homonymous work of Nelson Rodrigues.

Teatro, cinema, diálogos e relações: Boca de Ouro e seus contextos