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Dans Les Amazoulous de Abdou Anta Kâ, Chaka est un « bâtard » devenu le guide de la multitude du peuple Zoulou. Au-dela de l’heroisme mythique de Chaka qu’elle vehicule, la piece permet de saisir l’accomplissement du destin glorieux d’un enfant renie par son pere, pourchasse par ses demi-freres et qui reussit a s’imposer et a imposer la trajectoire qu’il a voulu donner a l’histoire de son peuple. Cependant, une tension gouverne les relations entre Chaka et son demi-frere. Cette rivalite aboutie a l’assassinat de Chaka. Ce fratricide, source de tragedie precipite Latyr dans la boue de l’histoire. Il est maudit pour son acte ignoble. L’œuvre donne l’occasion au dramaturge de mettre sur les planches la rivalite au sein de la fratrie. Kâ semble poser les problematiques de la fratrie et de la gestion de l’heritage dans la famille polygame africaine.  In Abdou Anta Ka’s “Amazoulous”, Chaka is a "bastard" who became the guide of the Zulu multitude people. Beyond Chaka’s mystical heroism carries, the play allows to grasp the glorious destiny fulfillment of a child disowed by his father, chased by his half-brothers and who managed to impose and enforce the path he wanted to his people’s history. However, tension governs the relationship between Shaka and his half-brother. This rivalry resulted in the murder of Shaka. This fratricide, source of tragedy precipitates Latyr in the mud of the history. He is cursed for his ignoble act. The work gives the opportunity to the playwright to put on stage the rivalry among the siblings. Kâ seems to pose the siblings and heritage management in the African polygamous family.

Les Amazoulous d’Abdou Anta Kâ ou la représentation tragique de la fratrie