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The Chicago Housing Authority is currently in the late stages of a controversial ten-year urban renewal initiative that will see the city’s public housing projects replaced with mixed-income accommodations. Ordered to pack up and leave not only their homes but also lifelong friends and support networks, many project residents have, quite literally, had their roots yanked from beneath their feet. In this essay I employ the iconographic uses of natural imagery present in Kerry James Marshall’s Garden Project paintings (1993-1994) and Daniel Roth’s installation Cabrini Green Forest (2004) to, first, explore the “rooted” attachment of public housing dwellers to their living environment and, second, to consider the desire of many residents to safeguard community landmarks against the threat of demolition.

From Pathways to Portals: Getting to the Root of a Public Housing Community