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Ian McEwan'in Atonement adli eserinin odagi, Briony'nin onu cevreleyen gerceklige hakim olma cabasi uzerinedir. Bununla birlikte, Briony'nin gercegi, kendini romanin kahramani olarak yeniden yaratmasinin nedeni acisindan bir bosluk olusmustur. Bu makale, gercekligi ortadan kaldirarak Briony'nin dogrudan romantizm turunun zeminini terk ettigini ve Bildungsroman turune girdigini one sururek, yazin turunun geleneklerini yikmasinin sebebini kendi anlatilarini kontrol etme arzusu olmasini tartisacaktir. Makale ayni zamanda romanin genelinde gorulen bu kontrol takintisinin sebebinin de ise Briony’nin kendini kahraman olarak yaratma istegi oldugunu savunacaktir.

AN OBJECT RELATIONS PERSPECTIVE ON IAN McEWAN’S ATONEMENT: BRIONY’S CREATIVE APPERCEPTION IN LIGHT OF ATTACHMENT THEORY GENRE, AND NARRATIVE FORM