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The article reflects on the racial foundations of the Brazilian state through an analysis of the play Black Angel by Nelson Rodrigues. From a postcolonial approach, it is argued that this 1948 play can be read as a critique of the influential vision of “racial democracy” associated with Gilberto Freyre and that its content anticipates a whole range of ideas later found in the book Black Skin, White Masks ([1952] 2008), by Frantz Fanon. The article reveals the tensions and violence (re)produced by the state in Brazil through the encounters and disagreements between the multiple hierarchies—economic, patriarchal, and racial—explored by Nelson Rodrigues throughout the plot. Resumo O artigo visa refletir sobre as fundacoes raciais do Estado brasileiro atraves da analise da peca Anjo negro de Nelson Rodrigues. A partir de uma abordagem pos-colonial, argumenta-se que a peca de 1948 pode ser lida como uma critica a influente visao de “democracia racial” associada a Gilberto Freyre e que seu conteudo antecipa uma serie de ideias posteriormente presentes na obra Pele negra, mascaras brancas ([1952] 2008) de Frantz Fanon. O artigo revela as tensoes e violencias (re)produzidas pelo Estado no Brasil a partir dos encontros e desencontros entre as multiplas hierarquias—economica, patriarcal e racial—exploradas por Nelson Rodrigues ao longo da trama.

Anjo negro: As fundações racistas do Estado no Brasil