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The proliferation of technological devices that visually register the world has led to changes in the narrative formats of telejournalism. The various types of cameras used by television stations – surveillance, amateur, hidden and even professional ones - give broadcasters a plethora of strategies for reaching an audience who tend to dominate and distrust the well-known media languages. This paper presents a proposal for categorizing the cameras used in daily telejournalism in order to better understand the specifics of the phenomenon. Overall, all these cameras appear to be used for creating a realist aesthetic with low media interference.

An Ontology of Omnipresent and Omniscient Cameras: Changes to Telejournalism and the Ubiquity of Devices for Recording Reality