English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

This article studies the authorial figure of Agustin Espinosa from a double perspective. The first focuses on the writer’s ethos in texts dated between the end of the 1920s and the publication of Crimen (1934). The second attends to the different images of the author that emerge as a consequence of the scandal surrounding this book. Both parts of this approach deal with the fissures and continuities between Espinosa’s image and the representations of authorship in his time, with the purpose of highlighting the relevance of the Canary writer for the study of Surrealism in Spain and the sociocultural factor leading to his scarce recognition as one of its most representative voices.

Agustín Espinosa y el «crimen» de la escritura: notas para el estudio de su figura autorial