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espanolEn 1938, la escritora inglesa Daphne du Maurier (1907-1989) completaba la escritura de Rebecca. En 1940, se estrenaba la adaptacion cinematografica, dirigida por Alfred Hitchcock. La escasa estima que sentia Hitchcock por la novela original, asi como los fundamentos del puritano Codigo Hays (1930), hicieron que el guion original tuviera que ser enmendado. Paralelamente, en 1938, se imponia en Espana la Ley de Prensa, que pondria al servicio del regimen franquista toda la produccion literaria. Sin embargo, la censura franquista dio carta blanca a Rebeca (novela y adaptacion cinematografica). En este trabajo analizamos los comportamientos censores de ambos codigos, coetaneos y similares en cuanto a ideario, para concluir que fue precisamente lo que el Codigo Hays trato de ocultar lo que motivaria a la censura franquista a aplaudir el relato. EnglishIn 1938, the English writer Daphne du Maurier (1907-1989) finished writing Rebecca. In 1940, the film adaptation, directed by Alfred Hitchcock, was released. On the one hand, Hitchcock’s scant regard for the novel, and, on the other, the foundations of the puritan Hays Code (1930), resulted in the original script being amended. Concurrently, in 1938, the Spanish Press Law placed all literary production at the service of the Franco regime. However, the Francoist censorship gave carte blanche to Rebeca (both to novel and film adaptation). In this paper we study the censoring behaviours of both codes, which had similar foundations and ideology, to conclude that it was precisely what the Hays Code tried to conceal what motivated the appraisal of the book in Spain

Rebeca maltratada: un estudio comparativo de su censura a través de las leyes de prensa españolas y el Códico Hays estadounidense