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Artistic creation during the avant-garde years transgressed the traditional delimitation between forms and genres. Rene Thom’s cobordisms theory, a model of varieties sharing a common one, helps us in explaining the process for raising a scientific statement into a literary condition. At the border of poetry and sciencie, we consider here as an example Gonzalez Acilu’s composition Dilatacion fonetica, a work written during his years in Paris, on a French text by Pierre Teilhard de Chardin.

La prosa científica de Pierre Teilhard de Chardin como texto sonoro: límites y cobordismos