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espanolDesde un enfoque academico se estudia la complejidad del pensamiento visual a partir de la descripcion resumida de cinco tipos de contenido que se han asociado a la produccion artistica. Se han analizado por separado en los epigrafes titulados Narrar algo interesante; Generar belleza; Desarrollar la capacidad creadora; Transmitir un contenido sensible, emotivo o sentimental; y Jugar con el lenguaje. En cada uno de estos apartados se puede alcanzar un alto grado de matizacion, pero es la confluencia de varios de ellos en una misma imagen lo que da fe de la complejidad del pensamiento visual que puede ejercitarse y desarrollarse mediante la practica de la pintura. Para ejemplificar algunos aspectos de esta reflexion se han incorporado imagenes realizadas por estudiantes de Bellas Artes. Suelen proceder de las memorias no publicadas que se elaboran en asignaturas de pintura. Se trata, en resumen, de una reflexion sobre la complejidad asociada al pensamiento visual que puede localizarse en imagenes pintadas, quedando patentes, tambien, los limites del analisis racional para abarcarla por completo. EnglishFrom an academic approach the complexity of visual thinking is studied from the summary description of five types of content that have been associated with artistic production. They have been analyzed separately in the headings entitled: Narrate something interesting; Generate beauty; Develop creative capacity; Transmit a sensitive, emotional or sentimental content; Play with the language. In each of these sections a high degree of qualification can be achieved, but it is the confluence of several of them in the same image that attests to the complexity of visual thinking that can be exercised and developed through the practice of painting. To exemplify some aspects in this article, images made by students of fine arts have been incorporated. They usually come from unpublished reports that are made in painting subjects. It is, in summary, a reflection on the complexity associated with visual thinking that can be found in painted images, and the limits of rational analysis are also evident to cover it completely.

"El placer de la complejidad en el lenguaje pictórico. Ejemplos en una clase de pintura"