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lmost 25 years ago, the Slovenian philosopher and psychoanalyst, Slavoj Žižek broke through the intellectual crib of the Slovenian academia. His inauguration in the English‐speaking world was marked by the publication of his exceptional book The Sublime Object of Ideology.2 Today, his works “has made him one of the world’s best‐known public intellectuals,”3 even considered by many to be the thinker of our age. In fact, Foreign Policy honored him as one of its 2012’s Top Global Thinkers,4 and more recently, Prospect has included him in the top 10 of its World Thinkers 2013.5 Žižek’s growing corpus, already comprised of more than 50 published books and several hundred articles, continues to swamp Western Academia irrupting the commonly accepted premises with its unyielding counter‐intuitive and radical analyses. His work oscillates around the dialectical interplay of high and low theory, ranging from the deployment of Hegelian Dialectics and Lacanian Psychoanalysis, to complex analyses of Hollywood and popular culture, down to his adamant critique of ideology, multiculturalism, liberalism, capitalism and the list goes on. Much of his success is rooted “in taking theory out of the ivory tower of

The Phenomenon, Slavoj Žižek: Deadly Jester or Thinker of our Age?