English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

This article explores the possible methods of metatext arrangement in the collection of essays &amp;ldquo;Arabesques&amp;rdquo; by Andrey Bely in addition to the main the main method described in the works of V. S. Kiselev and M. N. Darwin (the special role of framework components, determined arrangement of texts in contents directory). Special attention is given to the inner composition of texts included in the &amp;ldquo;Arabesques&amp;rdquo;, namely their imagery system and framework concepts. The analysis of the essays allowed determining the recurring key antinomies &amp;ldquo;up/down&amp;rdquo; and &amp;ldquo;light/dark&amp;rdquo;, which reinforce the unified semantic framework of the &amp;ldquo;Arabesques&amp;rdquo;. The orientation towards superunity is also detected on the syntactic level due to the constant reference of A. Bely to the &amp;ldquo;ironic pause&amp;rdquo; technique. In the modern literary studies, the problem of metatext (particularly in literary and semiotic understanding of the term ) has been brought up by M. N. Darwin, V. S. Kiselev, V. E. Prusenko, A. G. Kulik. However, this article is first to raise the question of their metatextuality the context of Andrei Bely&amp;rsquo;s collection of essays, which defines the novelty of this research. The author comes to the conclusion that alongside the basic techniques of metatext arrangement, Andrei Bely's &amp;ldquo;Arabesques&amp;rdquo; offer a range of additional means for creating semantic superunity &amp;ndash; the use of antinomian images common to the collection of essays, and constant reference to the &amp;ldquo;ironic pause&amp;rdquo; technique.	

Andrei Bely’s collection of essays “Arabesques” as a metatext