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This article analyzes the reconstruction of tragic moments of the Great Patriotic War in two novellas by Vasil Bykov &amp;ldquo;The Ordeals&amp;rdquo; and &amp;ldquo;In the Fog&amp;rdquo;. The author notes that vigilant attention to the tragic in science and depiction of tragic heroes and situations in art did not always align with the time describe in the texts. Emphasis is made on the fact that the tragic perception of the world or tragic tonality are inherent to Russian literature in different periods of its existence, and thus, the comprehension of essence of the tragic and its theory require further examination by the philologists, sociologists and philosophers. The relevance and novelty are substantiated by the following aspects: need for further comprehension of the essence of the importance for literary studies phenomenon and concept of &amp;ldquo;tragic&amp;rdquo;; selection of the indicative for the literature of 1920&amp;rsquo;s, and 1960&amp;rsquo;s &amp;ndash; 1970&amp;rsquo;a works and representative from the perspective of interpretation of tragic&amp;nbsp;moments of the Russian life of 1940&amp;rsquo;s therein; as well as need to thoughtfully and analytically explain the essence of the tragic characters and situation, and how they were perceived in real life and Russian literature of the XX century.	

Tragic motifs of the Great Patriotic War. Interpretation of Vasil Bykov