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The use of cartoons as editorial is essential for newspapers to convey opinions and comments through visuals. Cartoonists have a distinctive visual language in conveying their opinions and comments, both to satire or criticize. This article examines the editorial cartoons of Kompas and Republika newspapers in uncovering the crisis that occurred in Indonesia in 1997-1998. The research uses qualitative methods and visual language theory from Primadi Tabrani as a data analysis tool. This theory divides analysis into two steps, namely the Wimba content and the Wimba process. The in-depth discussion was carried out on six cartoons selected from 116 editorial cartoons collected. The criteria for selecting cartoons are based on the uniqueness of the crisis events described and the type of cartoon discourse used. The six cartoons also represent three themes (political, economic and social) and two newspapers studied. The results of the study show that each theme displays different Wimba. The ability of cartoonists to process visual elements makes the appearance of the crisis in cartoons more dramatic. Cartoon non-monologues, Noval Sufriyanto Talani dan Yasraf Amir Piliang, KRISIS INDONESIA TAHUN 1997-1998 DALAM BAHASA RUPA KARTUN EDITORIAL SURAT KABAR KOMPAS DAN REPUBLIKA. 62 80 63 monologues, and dialogues are the types of cartoons used by cartoonists as a means of carrying stories in them. The presence of characters as participants and word balloons as a form of dialogue can be a marker to identify the type of cartoon used. Through Wimba, cartoonists can articulate their alignments to an issue that is in the media spotlight.