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The importance of New York in Sex and the City (HBO, 1998-2004) is explicitly acknowledged in its very title. The opening credits already announce that "the City" is going to play an essential role in the series, virtually becoming itsfth character. The aim of this article is to discuss Sex and the City's representation of New York, which is clearly reminiscent of Woody Allen's cinema: as is often the case in Allen'slms, the Big Apple is realistically portrayed and highly romanticised at the same time. This article analyses Allen's inuence on Sex and the City's depiction of this city, which is alternatively presented as the perfect scenario for romantic integration and as a cruel

“Living in Reality Means Living in Pain, Fear, or Brooklyn”: the Representation of New York in Sex and the City