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This study aims to focus the light on The Wall, 1954 by Joaquin Calvo Sotelo. It was performed more than five thousand times and translated into several languages. With it, the author reached the biggest hit of his career as a writer. The Wall, measured and right drama, is defined by its creator as a "ray of society." Note is the author's courage in raising, in the fifties, the corruption of the victors. The book is also a satire of the immoral behaviour of the characters surrounding the protagonist, because it raises the clash between the desires of a more noble penitent man who wants to return what he stole and the wall built around it. In this drama, the author called for reconciliation between the sides that make up the Spanish people and to forget what happened during and after the civil strife. In addition, the piece is immersed in real moral values that triumph over the interests of society. The wall is definitely a drama of conscience, written with great technical ability and with various features of humor that softened the bitterness of the argument.

“La muralla” de Joaquín Calvo-Sotelo: aproximación a una obra de teatro reformista