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In The Artist and the City philosopher Eugenio Trias offers an ontological recovery of the relation between eros and poiesis. Such approximation, in his view, provides an antidote to the disenchantment of the world derived from the modern dualistic mechanical disjunction between production and desire. In order to remedy the problem of alienation and dispersion in late modernity, Trias goes back to the figures of the artist and the city as reference points that find paideic resonances in the renaissance symbol of the platonic academy.

Filosofía política en el pensamiento neoclásico de Eugenio Trías: Una lectura de El artista y la ciudad