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En este articulo se propone una lectura del Diario de Francisca, un registro autobiografico escrito en plenos dias de la Unidad Popular y el golpe de Estado por una nina de 11 anos, miembro de una familia urbana de clase media alta. Luego de situar brevemente al diario intimo o de vida como una practica cultural propia de la modernidad, se analiza la manera en que el texto ilumina las operaciones a traves de las cuales la nina va habitando el mundo, entramadas en dinamicas socio-afectivas mediadas, interrumpidas o potenciadas por la clase. Se sugiere que las representaciones infantiles articuladas en la escritura del diario intimo muestran diversos aspectos de la produccion y transmision de la memoria de la violencia politica, y de la relacion con los contextos de su produccion. El Diario describe una escena de la violencia politica en que esta, lejos de producirse de manera intempestiva, ya estaba instalada en las formas de la vida cotidiana de la Unidad Popular (UP).  Asi, la voz de la nina nos permite ver como la violencia politica esta en parte instalada y como va instalandose en la sociedad civil durante la UP, ya no solo entre victimas y perpetradores, sino tambien entre los ninos, quienes participan de esta, la negocian y recrean o reproducen.  Palabras claves:  diario intimo, violencia politica, representaciones infantiles Abstract This article focuses on Francisca's Diary, an autobiographical record written during the Unidad Popular (UP) period, more specifically in 1973. Francisca, an 11 year old girl, member of an urban middle-class family, witnesses the military coup and produces an intimate account of the events. After briefly situating the personal diary as a cultural practice typical of modernity, I will reflect on the way in which the text illuminates the operations through which the girl inhabits the world, embedded in socio-affective dynamics, interrupted or enhanced by social class. I suggest that Francisca’s Diary sheds light on various aspects of the production and transmission of the memory of political violence, the role of children representations and their relationship with the contexts in which they are produced. Also, I suggest that the Diary portraits a scene in which political violence was already embodied in the everyday life during the UP, no longer as a monopoly of victim and perpetrator agents. Rather I draw attention to the way in which the child negotiates, reproduces, represents and resists violence. Keywords:  private diary, political violence, childhood representations

castalia

El Diario de Francisca: Representaciones infantiles sobre la violencia política en la vida cotidiana durante los 70 / Francisca’s private diary: Childhood representations of political violence in everyday life during the 70s