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In 1990 Rabbi Gunther Plaut of Holy Blossom Temple in Toronto1 commissioned nine mantles for scrolls which had been donated to the synagogue in honour of Abbey Muter, Maurice Young, and Rita Eisendrath. Rabbi Plaut had a particular interest in collecting Judaica for the congregation.2 The nine scrolls, written by a scribe in New York in the early nineteenth century, were in need of new mantles. Estelle Latchman of Toronto, the Chair of the Arts and Acquisitions Committee at the Temple at the time, which curates the synagogue’s art collection, selected Sue Krivel, a Canadian textile artist, for the commission. Krivel set about creating mantles which would present a Jewish historical memory within the context of modernity. This article will highlight how this particular collection of mantle coverings marks a turning point in the historical development of Jewish ceremonial textile art in Canada, most notably in the areas of iconography, fabrication, choice of colour, the size, and overall coordination of the visual presentation. Prior to examining the creative expression of Krivel’s collection, it is worth noting that mantles for scrolls date back to the first century of the Christian era (Gutman 1970, 87). Jews in premodern times bestowed care on their scrolls by keeping them in cases (a Sephardic tradition) and/or in cloth coverings. The practical use of mantles is a protective one, but there were

A Canadian Designer Creates Mantles for the Prophet Scrolls at Holy Blossom Temple