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1 11 he representarion of space in rhe body of the literary rext T might escape the attention of the naive reader of Prevost's novels. This space is for the experienced reader a matter for serious thought, since it represents the imaginary territory in which one discovers the interwoven relations among the literary places. The space, which covers the span of the text, in its content, fits into the creative procedures of the novelist. It goes without saying that all Prevostian spaces are planned according to a precise order in the literary composition. Such is the focal point of our analysis. Prevost, before Balzac, Flaubert, and Zola, is a great novelist of space, for one finds, in his literary universe, a spatial diversity which does not only build the novel, but is also submitted to a logical order in the narrative dynamic. The first episode of Manon Lescaut, for instance, opens with the scene of a street, in which 'THomme de qualite," in the middle of a mad crowd, seeks tirelessly to satisfY his curiosity. The diverse functions of the space of the text fit into the images of the Prevostian writing on which the space is built. 1 The street is the center of the spectacle. Here des Grieux emerges for the first time in the literary action by paying special attention to Manon before her deportation to America. In the succession of the narrative scenes, Prevost alternates the spatial sites and their specific features. In the second scene of Manon Lescaut, one

The Textual Space and Space of the Text in Prévost