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ry-'he onomastic element of a story whether recounted within an oral or ~ a written tradition conventionally serves a vital role. Names possess powerful magical, historical and metaphorical powers which when combined with other aspects of the tale establish a significant communicative fil conducteur. Names traditionally echo events crucial to the history and culture of a family, a tribe or a people, resounding with primary and secondary memories of former triumphs and tragedies. Moreover, with the ascendancy of the novel as the dominant literary genre in occidental, bourgeois culture, names both first and surnames exercise considerable symbolic weight in plot evolution and character development, as well as defining a character's particular social category. Yves Reuter has crystallized this importance by stating: "Ainsi le nom designe les personnages, les inscrit dans l'univers social et le systeme des oppositions du roman, condense des informations et symbolise les acteurs"(149).

The Significance of names in the fiction of Elie Wiesel